Amidst the political turmoil in Georgia, with upcoming elections and new authoritarian laws, the Swiss-Georgian cultural scene is facing challenges. The Swiss-Georgian network, an example of transnational civil society, is concerned about the country’s alignment with Russia and its impact on cultural projects.
Georgian musician Alexandre Kordzaia, known as Kordz, has been approached by politicians, even from the pro-Russian government party, despite his opposition stance. The cultural sector is crucial in the upcoming elections, framed as a clash between western and traditional values by the government. With Georgia’s cultural ties to the German-speaking world dating back to the 19th century, the impact of recent political developments is significant.
The Swiss engagement in Georgia, particularly in cultural exchanges, has been prominent since the country’s independence in 1991. However, recent laws and restrictions imposed by the government have raised concerns among cultural practitioners. The introduction of an „Agent Law“ similar to Russia’s regulations has led to fears of repression against oppositional artists and cultural projects.
The law targets non-governmental organizations that receive a significant portion of their funding from foreign sources, labeling them as „foreign agents.“ This has created uncertainty and fear among artists who rely on international support for their work. The potential implications of the law on artistic expression and freedom are alarming, especially in a country where state-funded culture is virtually non-existent.
The Swiss-Georgian collaborations in cultural projects, including film screenings and festivals, are at risk due to the political climate in Georgia. The government’s attempts to align the cultural sector with its political ideologies have raised concerns about censorship and repression. Artists who express dissent or critique face threats and intimidation, with some even being arrested.
The uncertainty surrounding the upcoming elections and the potential implications of the Agent Law on the cultural sector have cast a shadow of doubt over the Swiss-Georgian cultural scene. Despite the challenges, cultural practitioners remain hopeful for a democratic and free Georgia. The outcome of the elections and the enforcement of the law will determine the future of cultural exchanges and collaborations between Switzerland and Georgia.
The Swiss support network for Georgian artists and cultural initiatives may become even more crucial in the face of political repression. Finding ways to continue supporting cultural projects in Georgia, despite the restrictive laws, will be essential in preserving artistic freedom and transnational collaborations.
As Georgia navigates its political landscape, the resilience and determination of its cultural scene will be tested. The Swiss-Georgian cultural network stands as a beacon of hope for a future where artistic expression and creativity can thrive, despite political challenges.
